Bibliographie:

Die Auswahl der Texte ist mit einem Schwerpunkt auf New York entstanden,  bzw. beinhaltet Werke, die direkt im Text erwähnt werden. Es sind darüberhinaus besonders ausführliche oder interessante Texte aufgeführt, die in den Beiheften von CDs, MCs oder LPs zu finden sind. Sie stehen unter dem Namen des Autors mit einem Verweis auf den Tonträger zu dem sie gehören (der Künstler ist zu leichteren Wiederfindung unterstrichen). Die Auswahl soll nicht als Wertung genommen werden und erhebt keinerlei Anspruch auf Vollständigkeit.

Abrahami, Naomi
1994”Fiddling with Tradition.” In: Hadassah Magazine: Vol.76, No.2, S.38-42.

Alejchem, Scholem
1990Stempenju. Freiburg: Herder (Erstveröffentlichung 1886).
1995Tewje der Milchmann. Leipzig: Reclam Leipzig.

Alexander-Ihme, Esther
1995”Nachwort.” In: S. Alejchem Tewje der Milchmann. Leipzig: Reclam Leipzig, S.202-214.

Alpert, Michael
1993 d ”Leon Schwartz Like in a Different World: A Traditional Jewish Violinist from Ukraine.” In: Schwartz, Leon (MC).
1995”Klezmer Music: From Old World to New.” In: Perlman, Itzhak (CD), S.3-6.
1996”As if it were Yesterday.” In: V.A. Klezmer Music, A Marriage of Heaven and Earth (CD), S.7-23.

Avenary, Hanoch
1971”The Concept of  Mode in European Syanagogue Chant.” In: YUVAL, Studies of the Jewish Music Research Centre: Vol.2, S.11-21.
1966”Geschichte der Jüdischen Musik.” In: F. Blume (Hg.) Musik in Geschichte und Gegenwart: Band 7, S. 225-261.

Beregovski, Moshe
1937”Jewish Instrumental Folk Music.” In: Old Jewish Folk Music, The Collections and Writings of Moshe Beregovski. Hg: M. Slobin, University of Pennsylvania Press: Philadelphia, S.530-548.
1946 ”The Altered Dorian Scale in Jewish Folk Music (On the Question of the Semantic Characteristics of Scales).” In: M. Slobin Old Jewish Folk Music, The Collections and Writings of Moshe Beregovski , University of Pennsylvania Press: Philadelphia, S.549-567.

Bluestein, Gene
1987”The Revival of Klezmer Music.” In: Modern Jewish Studies MJS Annual: Vol.6, No.4, S.29-34.

Bohlman, Philip V.
1986-87 ”Folk Music in the Urban German-Jewish Community, 1890-1939.” In: Musica Judaica: Vol.9, No.1, S. 22-34.
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Boyden, David D.
1980”Violin.” In: S.Sadie (Hg.) New Grove Dictionary of Music and Musicians: Vol.19, S.819-832.

Broughton, Simon
1994 ”Rhythm and Jews: Klezmer Was Born in the Shtetls of Eastern Europe - and Reborn in the USA.” In: S.Broughton (Hg.) World Music, The Rough Guide, S.641-647.

Cassell, Andrew
1992”The Music Mensch.” In: The Philadelphia Inquirer Magazine, Dezember 20.

Chesnoff, Richard Z.
1993”And Now, Lena From Palesteena.” In: U.S.News & World Report: August 9, S. 24.

Cohen, Norm + Wells, Paul
1982”Recorded Ethnic Music: A Guide to Resources.” In: Ethnic Recordings In America, American Folklife Center Washington, S.175-250.

Cohen, Steven M.
1988American Assimilation or Jewish Revival? Indiana: Indiana University Press.

Davis, Bob
1983”Lively and Soulful Old Klezmer Music Undergoes a Revival.” In: The Wall Street Journal: Vol.CCI No.74, April 15.

Davis, Francis
1990 ”Don Byron’s Klezmer: Bagels and Dreadlocks.” In: Village Voice: Vol.35, No.29 Juli 17, S.17-18+27.

Dion, Shulamis Lynn
1986”Klezmer Music in America: Revival and Beyond.” In: Jewish Folklore and Ethnology Newsletter:  Vol.8, Nr.1-2, S.2-14.
1992”The Klezmer Revival.” In: Humanistic Judaism Summer, S.52-55.

Erdely, Stephen
1979 ”Ethnic Music In The United States: An Overview.” In: Yearbook Of The International Folk Music Council, S.114-134.

Feldman, Walter Zev
1979”Klezmer Music.” In: Feldman, Zev/ Statman, Andy (LP).
1994”Bulgàreascà/Bulgarish/Bulgar: The Transformation of a Klezmer Dance Genre.” In: Ethnomusicology: Vol.38, No.1, S.1-35.
1997a”Fidl.” In: Svigals (CD).
1997b ”Gypsies, Greeks and Klezmer Music.” In: Ashkenaz, a Festival of New Yiddish Culture. Programmheft, S.11-15.

Fiedel, Ivan
1956”Tanz!” In: Tarras, Dave (LP).

Friedmann, Aron
1908 Der Synagogale Gesang, eine Studie. Berlin: C.Boas Nachf., Buchhandlung.

Frigyesi Laki, Judit
o.J.”The Historical Value of the Record `Máramos-The Lost Jewish Music of Translyvania´.” In: Muzsikás (CD).
1982-83”Modulation as an Integral Part of the Modal System in Jewish Music.” In: Musica Judaica: 5, S. 53-71.
1993”Jews and Hungarians in Modern Hungarian Musical Culture.” In: Studies in Contemporary Jewry Annual: IX, S.40-60.

Gaviani, Frank
1937 Kammen International Dance Folio No.1 + No. 9 for Accordion. New York: Kammen, J & J Music Co.

Gerson -Kiwi, Edith
1973-74 ”Two Anniversaries of Two Pioneers In Jewish Ethnomusicology.” In: Orbis Musicae: Vol.2 No.3-4, S.17-28.
1980”Jewish Music.” In: S.Sadie (Hg.) New Grove Dictionary of Music and Musicians: Vol.9, S.634-642.
1966”Jüdische Folksmusik.” In: F.Blume (Hg.) Musik in Geschichte und Gegenwart: Band 7, S. 261-280.

Gilbert, Debreh J.
1989 ”Kolos: the Bad Boys of Klezmer.” In: Village Voice: Vol.34, No.13 March 28, S.73.

Gilbert, Martin
1992The Atlas of Jewish History. New York: William Morrow and Company Inc.

Gilbert, Sylvia
1995Jewish Music: From the Bible to Broadway. Nashville, Tennessee: James C. Winston Publishing Company Inc.

Gitelman, Zvi
1988 A Century of Ambivalence: The Jews of Russia and the Soviet Union, 1881 to the Present. New York: Schocken Books.

Glasser, Paul
1992”Some Facts About the Yiddish Revival.” In: Humanistic Judaism: Summer, S.49-51.

Goldin, Max
1989On Musical Connections  between Jews and the Neighboring Peoples of Eastern and Western Europe. Amherst Massachusetts: International Area Studies Programs.

Goldman, Albert
1968”Jewish Jazz.” In: The Jewish Digest: Vol XIII No.8, S.11-14.

Goodman, H.G.
1979 a”King of the Klezmers.” In: Hadassah Magazine: Vol.60, June-July, S.25.
1979 b”Recouping Our Losses.” In: Hadassah Magazine: June/July, S.26.
1983”Klezmer Meets Jazz.” In: Hadassah Magazine: June/July, S.29-30.

Goodman, Philip + Goodman, Hanna
1965 The Jewish Marriage Anthology. Philadelphia: The Jewish Publication Society of America.

Gottlieb, Jack
1973”From Shtetl to Stage Door.” In: The Jewish Digest: Vol.XVIII, Nr.9, S.18-23 + 48.

Gradenwitz, Peter
1991”So singet uns von Zijons Sang, jüdische Musik und Musiker in ihrer Umwelt.” In: Jüdische Lebenswelten, Essays. Frankfurt am Main: Jüdischer Verlag Suhrkamp, S. 185-202.

Green, Ellen
1983”Klezmer Music.” In: The Andy Statman Klezmer Orchestra. (LP)

Gronow, Pekka
1982”Ethnic Recordings: An Introduction.” In: Ethnic Recordings In America , American Folklife Center Washington, S. 1-49.

Haley, Alex
1977Roots. U.K.: Hutchinson (Erste auszugsweise Veröffentlichung 1974 in: Reader's Digest).

Heller, Skip
1995 ”A User’s Manual to What’s New And Old in `Jewish Jazz´.” In: Pulse December, S.51-52.

Hentoff, Nat
1981”Yiddish Swingers.” In: The Progressive: September, S.52/53.
1982 ”The Exultant Return of the Klezmorim.” In: The Progressive: November, S.52/53.

Heskes, Irene
1994Passport to Jewish Music: Its History, Traditions, and Culture. Westport, Connecticut: Greenwood Press.

Heyn, Thomas
1993”Mittler zwischen den Welten, jüdische Themen in der Musik.” In: Musikblatt extra: Jiddische Musik und Sprache. S.Göttingen: Wieland Ulrichs, S.21-31.

Honigsheim, Paul
1989Sociologists and Music: An Introduction to the Study of Music and Society. New Brunswick (U.S.A.) and London (U.K.): Transaction Publishers.T (Erste Ausgabe 1973).

Hornbostel, Erich Moritz von
1986”Die Probleme der Vergleichenden Musikwissenschaft.” In: E.M. Hornbostel Tonart und Ethos. Leipzig: Phillip Reclam jun, S.40-58. (Ursprungstext von 1905).

Howe, Irving
1976World of Our Fathers: The Journey of the East European Jews to America and the Life They Found and Made. New York: Galahad Books.

Idelsohn, A.Z.
1932 Hebräisch Orientalischer Melodienschatz. Band 1-10. Leipzig: Hofmeister.

Jacobson, Marion
1995Klezmer, KlezKamp and The Jewish Cultural Revival in the US. New York: Unveröffentlichtes Thesenpapier zu einem Vortrag der Mid Atlantic Society for Ethnomusiclogy.

Johnson, Tom
1979”Reclaiming Klezmer, The Yiddish Benny Goodman and His Kinder.” In: The Village Voice: June 18, 1979, S.53-56.

Jones, Anathema
1992Shvaygn = Toyt: Interview mit Frank London von den ”Klezmatics”. Abdruck der Radiosendung V-Effekt - das kulturbolschewistische Monatsmagazin: Radio Z, Nürnberg vom 4.2.1992

Kalish, Jon
1994”A World Of Klezmer.” In: The New York Jewish Weekly: Vol. 206, No.42.

Kampmann, Wolf
1994 ”Griff zum Gebetsriemen: Der New Yorker Saxophonist John Zorn und die `Radikale Jüdische Musik´.” In: Tagesspiegel: November 10, S.27.

Keating, Mark
1996”The Klezmatics.” In: Sound Views: No.38, S.24-26.

Kessin, Lillian
1973”Sound of Jewish Music.” In: The Jewish Digest: Vol.XVIII, Nr.6, S.33-34.

Kirshenblatt-Gimblett, Barbara
1998”Sounds of Sensibility.” In: Judaism : Vol.47, No.1, S. 49-80.

Kligman, Mark
o.J. aOn the Creators and Consumers of Orthodox Popular Music in Brooklyn, New York. New York: Manuskript.
o.J. b The Media and the Message: The Recorded Music of Brooklyn’s Orthodox Jews. New York: Manuskript.
o.J. c”A Music in Judaism.” In: The Encyclopaedia of Judaism. New York: voraussichtliche Veröffentlichung: 2000 in Zusammenarbeit mit The Museum of Jewish Heritage und E.J. Brill.

Kohansky, Mendel
1975”Klezmer: A Song of Soul.” In: Israel Magazine: Vol.VI, No.9, S.36-38.

Koskoff Gilbert, Ellen
1965The Concept of Nigun among Lubavitcher Hasidim in the United States. PhD Thesis Pittsburgh University, Pennsylvania.

Kozinn, Allan
1998 ”A Klezmer Innovator Listens for Grandma’s Voice.” In: The New York Times, Oktober 2, S. B4.

Lachner, Harry
1994”Go Klezmer Go! Eine Tradition Fährt Fort an der Lower Eastside.” In: Jazz Thing: Mai, S.18-20.

Lebow, Bernard
o.J.”Freilach in Hi-Fi, Jewish Wedding Dances.” In: Lehrer, Murray: Vol.2 (LP).

Ledesma, Charles De
1993”Klezmoville.” In: Folk Roots: Vol.1, S.27+29.

Lester, Elenore
1987”Ebullient Klezmer Campers Zestfully Celebrate Yiddish Culture.” In: The Jewish Week, Januar 16, S.11.

Lewis, Joel
1995 a ”`Concept´ Klezmer Album Updates `Sergeant Pepper´.” In: Forward: April 7, S.9.
1995 b”Heavy Shtetl. The New In-Your-Face Jewish Music.” In: Moment: Vol.20 No.4, S.46-51.

Levenson, Jeff
1988”Don Byron. Finding New Vocabularies for the Clarinet is the Young, Adventurous Artist’s Goal.” In: Down Beat: Vol.55 No.1, S.51.

Liberman, Lev
1981”Metropolis.” In: The Klezmorim (LP).
1989”The Klezmorim, First Recordings 1976-78.” In: The Klezmorim (CD).

Loeffler, James B.
1997A Gilgul fun a Nigun: Jewish Musicians in New York, 1881-1945 . Harvard College Library: Cambridge, Massachusetts.
1998”Di Rusishe Progresiv Musikal Yunyon No.1 fun Amerike: The First Klezmer Union in Amerika.” In: Judaism: Vol.47, No.1, S. 29.40.

London, Frank
1996”How Did This Happen? ” In: V.A. Klezmer Music, A Marriage of Heaven and Earth (CD), S.24-31.
1998 ”An Insider’s View: How We Traveled from Obscurity to the Klezmer Establishment in Twenty Years.” In: Judaism: Vol.47, No.1, S. 40-43.

MANDEL, Howard
1996”The Klezmatics. The World is a Shtetl.” In: Rhythm Music Magazine: Vol.V, No.9, S.30-35.

Morris, Bob
1996”Yidls With Fiddles.” In: Village Voice: January 23, S.31-34.

Netsky, Hankus
1998 ”An Overview of Klezmer Music and its Development in the U.S..” In: Judaism: Vol.47, No.1, S. 5-12.

Norman, Bob
1980”A Jewish Folk Music Revival.” In: Jewish Currents: Vol.34, No.9, S.12-15, 36.
1981”Jewish Music, Born Again.” In: Moment: Vol.6, No.7, S.24-30.

Nussbaum Cohen, Deborah
1995”The Return of the New York Jew.” In: Village Voice: April 18, S.23.

Ottens, Rita + Rubin, Joel
1992 a”Epstein Brothers/Pete Sokolow/Stu Brotman, 02.02.1992.” In: Jüdische Lebenswelten, Berlin: Programm zur Ausstellung der Berliner Festspiele.
1992 b ”Synagogale Musik 12.04.1992.” In: Jüdische Lebenswelten, Berlin: Programm zur Ausstellung der Berliner Festspiele.

Pareles, Jon
1995”Old and New in a Jewish Festival.” In: The New York Times: December 20, S.C11.

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1989”On the Trail of Lost Roots.” In: Sing Out, The Folk Song Magazine: Vol.34, No.1, S.14-23.

Porter, James
1993”Europe.” In: The Norton/Grove Handbooks in Music, Ethnomusicology: Historical and Regional Studies. London/New York: W.W.Norton & Company, S.215-240.

Reid, Derek
1995”Klezmology. Klezmer Clarinet Master Joel Rubin is coming to live in the U.K. Derek Reid Talks to Him about the Tradition.” In: Folk Roots: November 1995, S.48-49.

Reisner, Neil
1983”Those Were the Days: The New Old Jewish Music.” In: Hadassah Magazine: June/July, S.16-17, 30-31.

Rischin, Moses
1977The Promised City. New York’s Jews, 1870-1914. Cambridge, Massachusettes: Harvard University Press.

Robinson, George
1993 ”Klezmer, Alive and Well.” In: The Jewish Weekly: December 17-23, S.47.

Rosenberg, Stuart E.
1985The New Jewish Identity in America. New York: Hippocrene Books.

Rothmüller, Aron Marko
1967The Music of the Jews: An Historical Appreciation. New York: Thomas Yoseloff Ltd.

Rothstein, Robert A.
1998”Klezmer-Loshn.” In: Judaism: Vol.47, No.1, S. 23-29.

Rubin, Ruth
1963Voices of  a People: The Story of Yiddish Folksong. New York: A.S.Barnes and Company.
1964A Treasury Of Jewish Folksong. New York: Schocken Books.

Salamander, Rachel
1998 Die jüdische Welt von gestern: Text- und Bildzeugnisse aus Mitteleuropa 1860-1938. München: DTV.

Salmen, Walter
1991Jüdische Musikanten und Tänzer vom 13.bis 20. Jahrhundert . Innsbruck: Edition Helbling.
1992”Klezmer in Schlesien.” In: Musik des Ostens: Vol.12, S.283-286.

Saposnik, Irving
1993”Klezmer Music Links Us With The Past.” In: Monthly Reporter: Vol.26, No.3, S.8.

Sapoznik, Henry + Dion, Shulamis + Sokolow, Pete
1991The Klezmer Plus! Folio. New York: Tara Publications.

Sapoznik, Henry + Feldman, Walter Zev + Statman, Andy
1980 ”Klezmer Muzik: Klezmer Music 1910-1942.” In: V.A Klezmer Muzik: Klezmer Music 1910-1942 (LP).

Sapoznik, Henry + Schlesinger, Michael
1984”Jackie Jazz’em Up.” In: V.A. Jackie Jazz’em Up (CD).

Sapoznik, Henry + Spottswood, Dick
1993”Klezmer Pioneers, European And American Recordings.” In: V.A. Klezmer Pioneers, European And American Recordings (CD).

Sapoznik, Henry
1981 ”The Revival of the Unique Klezmer Music Tradition.” In: Der Yidisher Caravan: unveröffentlichtes Programmheft.
1987The Compleat Klezmer. New York: Tara Publications.
1988 ”From Eastern Europe to East Broadway: Yiddish Music in Old World and New.” In: New York Folklore: Vol.XIV, No.3-4, S.117-127.
1992”Dave Tarras: Father of Yiddish-American Klezmer Music.” In: Tarras (CD).
1995”Kapelye On the Air, Old Time Jewish American Radio.” In: Kapelye (CD).
1997 ”Naftule Brandwein King of the Klezmer Clarinet”. In: Brandwein (CD).

Schleifer, Yigal
1993”`Downtown´ Goes Jewish.” In: The Jewish Weekly: December 17-23, S.46-47.

Schneider, Richard C.
1988”Abraham Goldfaden - Ein Pionier des Jiddischen Theater.” In: Musik und Theater: Nr.3, S. 8-12.

Schwarzbaum, Lisa
1992”Throwing Body And Soul Into `Jewish Soul Music´.” In: The New York Times: January 1, S.27.

Schwartz, Martin Dr.
1997”Klezmer Music: Early Yiddish Instrumental Music: The First Recordings: 1908-1927 from the Collection of Dr. Martin Schwartz.” In: V.A. Klezmer Music: Early Yiddish Instrumental Music: The First Recordings: 1908-1927 from the Collection of Dr. Martin Schwartz (CD).

Sendrey, Alfred
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1986”`Jewish Humor´ Series, Co-sponsored by Yivo.” In: The New York Times: May 4.

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1994”Don Byron.” In: The New York Times Magazine: January 16, S.18-21.

Shiloah, Amnon
1987-88 ”Revival and Renewal: Can Jewish Ethnic Tradition Survive in the Melting Pot?.” In: Musica Judaica: Vol. 10, No.1, S.59-69

Singer, Howard
1973”Why Do They Laugh at Anything Recognizably Jewish?” In: The Jewish Digest: Vol.XIX, Nr.2, S.67-70.

Slobin, Mark
1982 aOld Jewish Folk Music. The Collection and Writing of Moshe Beregovski. Philadelphia: University of Pennsylvania.
1982 b ”How The Fiddler Got On the Roof.” In: Folk Music and Modern Sound, S. 21-31.
1982 cTenement Song, The Popular Music Of The Jewish Immigrants. Urbana/Chicago/London: University Of Illinois Press.
1984 a ”Klezmer Music: An American Ethnic Genre.” In: Yearbook for Traditional Music: Vol.16, S.34-41.
1984 b”The Neo-Klezmer Movement and Euro-American Musical Revivalism.” In: Journal of American Folklore: Vol.97, S.99-104.
1984 c”Europe/Peasant Music-Cultures of Eastern Europe.” In: Worlds Of Music. New York: Schirmer Books, S.166-207.
1986 ”A Fresh Look at Beregovski’s Folk Music Research.” In: Ethnomusicology: Vol.30, No.2, S. 253-260.
1989Chosen Voices: The Story of the American Cantorate. Urbana. Illinois Press.
1993 Subcultural Sounds: Micromusics of the West. Middletown CT: Wesleyan University Press.
1998”Scanning a Subculture: Introduction to Klezmerology.” In: Judaism: Vol.47, No.1, S. 3-5.

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1963Folk Song in Israel. Tel Aviv: Israel Music Institute.

Sokolow, Peter
1987 ”A Few Notes and Observations on the Theory and Performance of Klezmer Music.” In: H. Sapoznik/P. Sokolow The Compleat Klezmer. New York: Tara Publications, S.19-29.
1991 Klezmer Arranging and Orchestration. New York: Tara Publications.

Solomon, Alisa
1991”Immigrant Song.” In: Village Voice: Vol.36, No.7, S.73.

Spector, Johanna
1981-82 ”The Role Of Ethnomusicology in the Study of Jewish Music.” In: Musica Judaica: Vol.4, No.1, S.20-31.

Spottswood, Richard K.
1982”Commercial Ethnic Recordings in the United States.” In: Ethnic Recordings In America, American Folklife Center Washington, S.51-66.

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1980”Jews, Blues & Jazz.” In: Jewish World: April 4, S.11.

Svigals, Alicia
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1995”Perlman Finds Roots on Angel.” In: Billboard: December 2, S.101.

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1980”Jewish Music.” In: S.Sadie (Hg.) New Grove Dictionary of Music and Musicians : Vol.9, S.614-634.

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Yalkut, Carolyn
1979 ”Roll Over Goldfaden, Tell Koussevitzky the News! American Jewish Music Today.” In: The National Jewish Monthly: July/August, S.36-38,40.